Typography change

Today we finished our title sequence. We changed our font to 'Messenger Pigeon' as we felt that Morsal wasn't working as it was too chunky. Our new font is also similar to the font in Wes Anderson's Moonrise Kingdom, it is more elegant than our previous fonts (Shorelines and Morsal).

Our Chosen Typography

We decided to use the font Shorelines for our title. We chose this because it represents our main character, Walter. The font is elegant and has associations with the timeframe our film is set in (1950's),  although the font is elegant and classy it is still however masculine when compared with Valledofas. We made a mutual decision as a group that we wanted a graceful and sophisticated font as it represents our genre better, opposed to a thriller which would have more of a bulky, bold font.







For our credits however we decide to use the font Morsal, this is because it is slightly easier to read than Shorelines and more convenient as the credits will appear for a shorter time than the title. Morsal also represents Walter very well as we wanted to create the idea that it is his writing, our overall title sequence is heavily designed to represent our characters strongly. The font has a very masculine feel to it and is a little bit messier and more like script, unlike Shorelines our chosen font for our title.

Typography Of Title Sequence

These are the possible fonts for our title sequence, we will need to decide as a group which font to use for our title and which on as our credits.