Another common trait of Wes anderson is his use of patterns and prints, one of his most recent films, The Grand Budapest Hotel, shows his love for vibrant colours. We tried to incorporate vintage patterns throughout our title sequence whilst still showing yellow undertones. Below are some stills of our title sequence which show how we tried to incorporate symmetry and colour into our work.
From the stills you can see the warm undertones, we achieved this by colour correcting in Final Cut Pro. Our title sequence is also set in the past, similar to Wes Anderson's films and that they all take place in eras that are prior to the present. We tried to show his love for nostalgia by creating it in our title sequence.
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